{"id":109,"date":"2015-02-17T22:14:10","date_gmt":"2015-02-17T22:14:10","guid":{"rendered":"http:\/\/romaindescours.net\/?page_id=109"},"modified":"2021-01-20T09:51:05","modified_gmt":"2021-01-20T09:51:05","slug":"fragments-choisis","status":"publish","type":"page","link":"https:\/\/romaindescours.net\/?page_id=109","title":{"rendered":"fragments choisis"},"content":{"rendered":"<div style=\"width: 62%; margin-left: 15%; text-align: left; margin-right: 0%; margin-top: 4%;\">s\u00e9lection d&rsquo;extraits de cin\u00e9po\u00e9sies<\/div>\n<div><\/div>\n<div style=\"width: 62%; margin-left: 15%; text-align: left; margin-right: 0%; margin-top: 4%;\">\n<p><em><strong>Brouillon<\/strong><\/em> est un film qui interroge la reprise. A la question comment commencer ? suit irr\u00e9m\u00e9diablement une autre question, comment recommencer ? Recadrages, d\u00e9centrements, distanciations, les possibilit\u00e9s sont nombreuses et apparentes. Une voix off propose de suivre le fil d\u2019une pens\u00e9e, l\u2019\u00e9laboration d\u2019un projet, ici un r\u00e9cit fragment\u00e9. La narration fait \u00e9tat d\u2019un brouillon et de sa tentative de construction, sous le pr\u00e9texte d\u2019une rencontre rat\u00e9e, de parcours parall\u00e8les. Ratures et r\u00e9p\u00e9titions structurent le canevas comme autant de guides, d\u2019embrayeurs gripp\u00e9s qui conduisent le cheminement du r\u00e9cit.<br \/>\nComment raconter une histoire ? Stop. Comment ne pas raconter une histoire, virgule, continuer.<\/p>\n<\/div>\n<div><\/div>\n<div style=\"width: 70%;height:auto; margin-left: 5%;margin-right: 0%; margin-top: 4%;\">\n<iframe allowfullscreen=\"true\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\" src=\"https:\/\/player.vimeo.com\/video\/119750066\"><\/iframe>\n<\/div>\n<div><\/div>\n<div style=\"width: 62%; margin-left: 15%; text-align: left; margin-right: 0%; margin-top: 8%;\">\n<em><strong>Bribes<\/strong><\/em> annonce d\u00e8s son intitul\u00e9 un \u00e9tat morcel\u00e9. Des fragments qui s\u2019articulent autour de l\u2019id\u00e9e de rupture et de tentative de reconstruction, dans un amoncellement de flashs conduits par des sonorit\u00e9s, une voix off multiple : narrateur 1, narrateur 2, narratrice.<\/div>\n<div><\/div>\n<div style=\"width: 70%;height:auto; margin-left: 5%;margin-right: 0%; margin-top: 4%;\">\n<iframe allowfullscreen=\"true\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\" src=\"https:\/\/player.vimeo.com\/video\/119750067\"><\/iframe>\n<\/div>\n<div><\/div>\n<div style=\"width: 62%; margin-left: 15%; text-align: left; margin-right: 0%; margin-top: 8%;\">\n<p><em><strong>Ceci cela<\/strong><\/em> ou des morceaux de. Ce film est une succession, comme une collection d\u2019images mentales, d\u2019images souvenirs, d\u2019images emprunt\u00e9es, r\u00e9interpr\u00e9t\u00e9es; \u00e0 la lisi\u00e8re d\u2019un r\u00eave inachev\u00e9, d\u2019une suite impossible.<\/p>\n<\/div>\n<div><\/div>\n<div style=\"width: 70%;height:auto; margin-left: 5%;margin-right: 0%; margin-top: 4%;\">\n<iframe allowfullscreen=\"true\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\" src=\"https:\/\/player.vimeo.com\/video\/120135293\"><\/iframe>\n<\/div>\n<div><\/div>\n<div style=\"width: 62%; margin-left: 15%; text-align: left; margin-right: 0%; margin-top: 8%;\">\n<p>au jour le jour je coupe, d\u00e9coupe, j\u2019\u00e9tire les bordures d\u2019un cadre. Carnet de note brouillonant, correspondance vid\u00e9o rest\u00e9e sans r\u00e9ponse, <em><strong>je tu il elle<\/strong><\/em> est un condens\u00e9 de fragments, de rushs d\u2019\u00e9critures.<\/p>\n<\/div>\n<div><\/div>\n<div style=\"width: 70%;height:auto; margin-left: 5%;margin-right: 0%; margin-top: 4%;\">\n<iframe allowfullscreen=\"true\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\" src=\"https:\/\/player.vimeo.com\/video\/120131035\"><\/iframe>\n<\/div>\n<div><\/div>\n<div style=\"width: 62%; margin-left: 15%; text-align: left; margin-right: 0%; margin-top: 8%;\">\n<p>Fabriqu\u00e9 dans une certaine id\u00e9e du copi\u00e9 et du coll\u00e9 <em><strong>traitement en cours<\/strong><\/em> se positionne entre une collection de mati\u00e8res sonores emprunt\u00e9es, d\u00e9coup\u00e9es, r\u00e9-agenc\u00e9es et un mat\u00e9riau filmique glan\u00e9 au gr\u00e9 d\u2019errances vid\u00e9o, la cam\u00e9ra au poing. \u2028Dans un perp\u00e9tuel glissement de sens une voix off porte un texte en \u00e9criture. Elle sugg\u00e8re des orientations possibles, tente un slalome entre des fragments h\u00e9t\u00e9roclytes d\u2019images, de mouvements, de sons.\u2028 Scand\u00e9 non sans une certaine h\u00e9sitation, \u2028le r\u00e9cit laisse appara\u00eetre une d\u00e9construction narrative, un remaniement.<\/p>\n<\/div>\n<div><\/div>\n<div style=\"width: 70%;height:auto; margin-left: 5%;margin-right: 0%; margin-top: 4%;\">\n<iframe allowfullscreen=\"true\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\" src=\"https:\/\/player.vimeo.com\/video\/119984104\"><\/iframe>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>s\u00e9lection d&rsquo;extraits de cin\u00e9po\u00e9sies Brouillon est un film qui interroge la reprise. A la question comment commencer ? suit irr\u00e9m\u00e9diablement une autre question, comment recommencer ? Recadrages, d\u00e9centrements, distanciations, les possibilit\u00e9s sont nombreuses et apparentes. Une voix off propose de suivre le fil d\u2019une pens\u00e9e, l\u2019\u00e9laboration d\u2019un projet, ici un r\u00e9cit fragment\u00e9. La narration fait [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"_links":{"self":[{"href":"https:\/\/romaindescours.net\/index.php?rest_route=\/wp\/v2\/pages\/109"}],"collection":[{"href":"https:\/\/romaindescours.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/romaindescours.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/romaindescours.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/romaindescours.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=109"}],"version-history":[{"count":142,"href":"https:\/\/romaindescours.net\/index.php?rest_route=\/wp\/v2\/pages\/109\/revisions"}],"predecessor-version":[{"id":558,"href":"https:\/\/romaindescours.net\/index.php?rest_route=\/wp\/v2\/pages\/109\/revisions\/558"}],"wp:attachment":[{"href":"https:\/\/romaindescours.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=109"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}